. Inevitably, John's impulse to control brought him into conflict with other trustees, notably John Blaffer, son of a powerful Houston family. Though designed by one of the architects of the flamboyant Pompidou Center in Paris, which wears its plumbing on its facade, it bears no resemblance to that outrageous folly. 1529-1538 - Philippa de Ligniville, fille de Jean de Ligniville et de Jeanne d'Oiselet. Spurred in part by the lack of a real arts community in Houston,[13] in the 1950s and 1960s the de Menils promoted modern art through exhibitions held at the Contemporary Arts Association (later the Contemporary Arts Museum Houston), such as Max Ernst's first solo exhibition in the United States, and the Museum of Fine Arts, Houston, to which they gave important gifts of art. The two youngest children are Francois, 41, and Philippa, 39. Philippa de Menil New York. Philippa De Menil Bio Details Full name Philippa De Menil Gender Female Age 71 (approx.) ''He made us greedy,'' Dominique says, remembering that the priest once appeared for lunch with a Rouault painting under his arm. Designed by the Italian architect Renzo Piano, co-creator of the high-tech Pompidou Center in Paris, the museum is so favorably looked upon by Houston bigwigs that more than half of its building costs are being met by local money. Francois, who stopped making films (''I was dissatisfied with what I was doing and felt a change would be good''), is still elated over his admission to The Cooper Union, achieved in part by hiring special tutors to prepare him in necessary disciplines, such as mathematics. Eventually, the de Menils and their entourage became so much a part of the St. Thomas scene that ''it became difficult to operate without stepping on one of their toes,'' says Father Patrick O. Braden, president of the college at the time. Her ideas are defended by her son-the-architectural-student. Philippa de Menil. Philippa was then married to Francesco Pellizzi, an Italian anthropology student, and already exploring with him the concept of helping artists realize large-scale environmental works. ''She had a passion for art, and in later years she did buy it, but she gave it to her grandchildren - small things, a little Klee, a little Picasso, a little Rouault,'' says Dominique. Behind that fragile, otherworldly facade is a complex person of very ambitious reach.''. De Menil died in Houston on December 31, 1997. Philippa de Menil (now Fariha Fatima al-Jerrahi) ominously reflected on the passing of her spiritual guide saying, "His death seemed to herald many new changes." [5] The new board began slashing at Dia contracts and real estate to get the budget under control with projects being dropped and dismantled at a fast rate. Indeed, shuttling among residences in Houston, New York and Paris, Dominique has a heavy agenda. (For their honeymoon, he took Dominique on a bus trip through Morocco.) Designed by Renzo Piano, the permanent gallery echoes some of the architectural features of the Menil Collection, such as the use of diffused natural light, while retaining its own, separate identity. [3] She studied physics and mathematics at the Sorbonne and developed an interest in filmmaking, which took her to Berlin to serve as script assistant on the Josef von Sternberg production of The Blue Angel. At the sale, Dominique bought a Barnett Newman and Adelaide picked up her first de Kooning.) [1] After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. They established the university's Media Center in 1967. Later, attending classes at night, he got a degree from the University of Paris, adding other degrees in political science and law before taking his compulsory army service in the Rif Mountains of Morocco during some tribal wars - and falling in love for life with Africa. ''We even borrowed money to buy art. '', AT 78, DOMINIQUE IS A HANDSOME WOMAN OF frail, unassuming presence, whose ''spiritual'' mien and austere garb evoke the image of a medieval saint. Photo by Michael Schmelling They gave major gifts of art to the school, bought land to expand the campus and hired Philip Johnson to design new buildings. [27], The de Menils also organized exhibitions that promoted human and civil rights, including The De Luxe Show, a 1971 exhibition of contemporary art held in Houston's Fifth Ward, a historically African-American neighborhood. Dominique's way of not always paying full attention to this world has been transmitted to some of her offspring. 1584-1586 - Franoise du Chtelet. Called ''well logging,'' the process became the basic asset of the company, eventually proving indispensable to oil companies around the world. The work these artists made changed, or at least questioned, the nature of art: what it. THE DE MENILS' IN-volvement in the Houston art world began in the 1940's - an inevitable consequence of Father Couturier's evangelism. They were the first Americans to influence Europeans. Plans to create a museum to house and exhibit John and Dominique de Menil's collection began as early as 1972 when they asked the architect Louis I. Kahn to design a museum campus on Menil Foundation property in the Montrose neighborhood of Houston near the Rothko Chapel. For several artists besides Judd, houses with studio or living arrangements were provided along with annual stipends, and museums were set up for the work of others. In return for her efforts, the Holy Bishopric of Cyprus allowed the works to remain in Houston on a 20-year loan. Brennan, Marcia, Alfred Pacquement, and Ann Temkin. ''But there were all these weird paintings hanging on the walls,'' she says. [1] She also published articles on film technology in the French journal La revue du cinma.[4]. Articles in Zest section The Menil Opens.. He remembers a rainy night in Paris, when he was ill with a cold but had a manuscipt to deliver to the noted anthropologist Claude Levi-Strauss. Casey Lesser. GROWING UP IN HOUSTON, ADELAIDE DE MENIL was embarrassed to bring her friends to the art-filled home of her parents, Dominique and John de Menil. Beyond the family, their influence has been substantial, too. [1] American Sufi leader While the de Menils' collecting and museum-building activities have been enthusiastically compared to those of the great Medici patrons, perhaps a more apt contemporary analogy is with the Rockefeller clan, which entered the art field in the early part of this century. [1] She was awarded the National Medal of Arts in 1986. Unlike the normal superwealthy, their pursuits do not run to clubs, yachts or horseracing. [12] The de Menils filled their home with art and hosted many of the leading artists, scientists, civil rights activists, and intellectuals of the day. [5] While fostering bonds with the greater Sufi & Muslim American communities, the role of women in Islam and spiritual ecology have been of special importance to her message. by Paula Newton November 11, 2013. by Paula Newton November 11, 2013. And Adelaide herself now has a home or two not like everyone else's, in which the art is at least as ''weird'' as that owned by her parents. Dominique de Menil, Quoted in Browning 1983, 37. ''The things I've collected resemble the sort of works my parents acquired, but maybe less broad in range and less expensive,'' he says, pointing out, on a hall wall, a favorite Braque painting of his father's given him by Dominique. Naturally, the artists involved - two of whom, Robert Whitman and La Monte Young, lost elaborate performance and living quarters - were hugely disappointed. '', See the article in its original context from. Hugetz, Edward, and Brian Huberman. [1], The Menil campus also includes the Byzantine Fresco Chapel. They found it after the war, when their view of Ernst had improved, and they later became one of the artist's most diligent patrons, winding up with more than 100 of his works. Soon the couple was on a collecting spree, venturing from Cezanne to Braque to Picasso, then - under the influence of the dealer Alexander Iolas - heavily into Surrealism. Expansive main-floor displays will be made up of works in the storage areas, with space set aside for the spectacular theme shows that Dominique and the museum's director, Walter Hopps, have been doing together for years. Description Art and Activism surveys John and Dominique de Menil's projects in art, architecture, and civil and human rights, initiatives that deeply affected the city of Houston and often national and even international communities. Essays and short texts describe the de Menils' collecting; their patronage of modern architecture; their promotion of film as an art form; their struggles . I spent hours talking with John about world politics and philosophy. He remembers admiring a photograph by Henri Cartier-Bresson at Adelaide's house. But as a friend notes, ''She is maybe not so much a collector as a catalyst who makes things happen.'' Dominique, who from childhood had an impulse toward collecting, acquiring such objects as ''shells, cut-out images, exotic seeds,'' attributes her interest in art -late-blooming as it was - to her mother, who would have collected, save for her husband's disapproval. An informal art historian and teacher, Dominique has also organized some remarkable exhibitions, innovatively installed. Christophe, a tall, graceful woman, who has a long history of supporting ''difficult'' art projects, began designing costumes for Robert Wilson in 1981. He met Philippa through Helen Winkler, an employee of the Menil Foundation. An ongoing project that seeks to catalogue and study the depiction of individuals of African descent in Western art, it is now under the aegis of Harvard University. Over the course of nearly 20 years, beginning in the late 1940's, they set up a full-fledged art and art history department, hiring -and paying for - teachers, researchers and what one of the former de-scribes as ''others with whom they have loose and flexible arrangements.'' Until very recently, Christophe also had a sizable house in East Hampton, but it burned down during Hurricane Gloria last fall. (One takes off one's shoes on entering.) The most conservative of the children, and the most involved with family tradition, he uses - in France - his title, Baron, bestowed on the de Menil family by Napoleon. [1] They commissioned Henri Cartier-Bresson to photograph the 1957 American Federation of Arts convention, held in Houston that year, and worked with photographers such as Frederick Baldwin and Wendy Watriss, who went on to establish FotoFest, and Geoff Winningham, who served as head of the photography department at Rice Media Center. Her second husband is. Says Dominique, ''The idea of the foundation was marvelous, and they've done great things. Date of birth 1947 Birth place Houston, USA Philippa De Menil Siblings Philippa De Menil Age 71 (approx.) The de Menils' involvement with blacks has not only been on the political level. [35], De Menil's final project was a 1996 commission of three site-specific light installations by Minimalist sculptor Dan Flavin for Richmond Hall, a former Weingarten's grocery store in Houston. At that point, the de Menils began to drift away from the museum. [30], In the 1980s de Menil again began looking for an architect to design the museum, eventually commissioning Renzo Piano, a renowned Italian architect known for his provocative Centre Georges Pompidou building in Paris, to come up with a design that would fit her vision for the museum. [1] At Rice, the de Menils also cultivated their interest in film, working with such noted filmmakers as Roberto Rossellini, who made several trips to Houston to teach Rice University students and create television documentaries. And she goes on collecting - though at a much slower pace, she says, because prices have risen so high. Their collection was motivated by their shared interest in the many ways individuals over different cultures and eras reveal through art their understanding of what it means to be human.[7]. With the guidance of the Dominican priest Marie-Alain Couturier, who introduced the de Menils to the work of artists in galleries and museums in New York, they became interested in the intersection of modern art and spirituality. [26] It was established as an autonomous organization the next year and began hosting colloquia, beginning with "Traditional Modes of Contemplation and Action," which brought together religious leaders, scholars, and musicians from four continents. Dominique, who maintains three homes herself, shakes her head indulgently over their ''extravagance.''. [1], The de Menils, however, did not limit their acquisitions to modern art, and their eclectic tastes became a hallmark of their collecting practices. A former film maker, short-time magazine publisher, pilot and hell-raiser who never finished college, Fran,cois - who has his father's baby face - is now a hard-working architectural student at The Cooper Union. ''What I inherited was my mother's craving. This in turn enabled the inventors to determine the location of an oil deposit. More than 1,000 mourners, an international assemblage including a local contingent of Black Panthers - to whom John had given money for setting up a free children's breakfast program - turned out in a heavy rainstorm. The Menil Collection's discreet, low-key architecture befits its site in Montrose, a modest, socially mixed residential area of Houston. Dominique de Menil (ne Schlumberger; March 23, 1908 December 31, 1997) was a French-American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. Giovannini, Joseph. [1] They had five children: Marie-Christophe (who was married to Robert Thurman and was the grandmother of artist Dash Snow), Adelaide (a photographer who is the widow of anthropologist Edmund Snow Carpenter), George de Menil (an economist), Franois (a filmmaker and architect), and Philippa (co-founder of the Dia Art Foundation[5] and the leader of a Sufi order in Lower Manhattan[6]). which cannot be easily produced, fi-nanced or owned by individual collectors because of their cost and magnitude". [29] The Foundation offered the CarterMenil Human Rights Prize, sponsored by the Rothko Chapel, to organizations or individuals for their commitment to human rights. It also features temporary exhibitions. It serves the vi-sion of a place ''for people in search of peace, meditation and a more intense consciousness of our time.'' Initially the stated aim as written in its first report was to "plan, realise and maintain public projects of artists. ''It was the most extraordinary thing that ever happened in Houston.''. Dia was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. Now it's a coalition of businessmen and minorities who run the city.''. And when John died in 1973, he left his estate in part to Dominique and in part to the Menil Foundation, set up in 1954 to support ecumenism, education, the arts and minority causes. The project, not universally appreciated by black scholars who tend to feel the emphasis should be placed on what blacks themselves have created, has so far published two books on the subject. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. In, Donald D. Clayton, "The Dark Night Sky: a personal adventure in cosmology" Quadrangle/The New York Times Book Co. (New York 1975), Richard, Paul. They had a foreign accent, and political views that for Texas were extremely liberal. Dominique, who earned a degree in mathematics at the University of Paris, was the product of a cultivated family that had, in the late 19th century, built a textile fortune. v t e Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. Explains William Camfield, whom the de Menils brought over as professor of art history from St. Thomas, ''At Rice, the de Menils said, 'Let's see if it works and if you like it. Menil Archives, The Menil Collection, Houston. [7] Her first husband (whom she married on May 14, 1969, in Harris County, Texas) was Italian anthropologist Francesco Pellizzi (born July 14, 1940). The de Menils often personally recruited faculty members for the departments and brought many renowned artists and art historians to Houston, including Marcel Duchamp, Roberto Matta, and James Johnson Sweeney, whom they convinced to serve as museum director for the Museum of Fine Arts, Houston from 1961 to 1967. [31] The result was a museum that appeared "small on the outside, butas big as possible inside". ''The funny thing is, how it came out in me after my parents' collecting,'' says Philippa, a fresh-faced blonde who has her mother's unpretentious manner and good looks. The de Menils' Catholic faith, especially their interest in Father Yves Marie Joseph Congar's teachings on ecumenism, would become crucial to the development of their collecting ethos in the coming decades. Their associates tend not to be other superrichlings, but artists, film makers, poets, anthropologists, activists, professors, priests and - in the case of Philippa, who is involved with Sufism, an Islamic philosophy - sheiks and whirling dervishes. In fact, its long, low bulk looks more like, say, the suburban branch of an elegant department store. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. The public would never know museum fatigue and would have the rare joy of sitting in front of a painting and contemplating it Works would appear, disappear, and reappear like actors on a stage. menil? Its basis was a device that was lowered by cable into the ground to measure the electrical resistance of formations in the earth. philippa de menilare there really purple owls. Whitman brought a suit against Dia, which is pending. They helped make a black militant who hated white people into a humanitarian.'' [1] She was awarded the National Medal of Arts in 1986. Perhaps the closest of the children to her late father, who was an outspoken liberal drawn to minority causes, Adelaide has developed an interest in the lives of the ''bonackers,'' the vanishing tribe of fishermen and their families native to the eastern tip of Long Island. ''Each of the children,'' says Adelaide now, ''would have preferred his or her own choice of architects, but after all, it is my mother's museum. [14] They were instrumental in the Contemporary Arts Association's decision to hire Jermayne MacAgy as its director; she curated several groundbreaking exhibitions, including "The Sphere of Mondrian" and "Totems Not Taboo: An Exhibition of Primitive Art. She recently bought another place near Sag Harbor, and in Manhattan she has a splendid three-story former carriage house with a swimming pool on the ground floor, redone with help from the Los Angeles architect Frank Gehry and the ''light sculptor'' Douglas Wheeler. Dominique Isaline Zelia Henriette Clarisse Schlumberger. THE DE MENILS' civil-rights activities earned them epithets ranging from '''radical chic'' to ''Communist.'' One of the world's largest corporations - its stock was worth nearly $10 billion at the end of 1985 - it employs some 73,000 people in more than 100 countries. Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. But I think it will turn out superbly.''. ''It's Dominique's museum and it's important to her,'' Francois says. Most of the land and houses within a six-block radius, quietly assembled by John, are under de Menil ownership. Playing savior to old buildings in the area, she and Ted Carpenter have rescued 15 of them and restored most, with the aid of the Houston architect, Howard Barnstone, a longtime family friend. They have been adventurous patrons, perhaps less concerned than many with the kudos and the cash that go with art patronage in American society. Following Ozak's death, the tariqa was split into the Nur Ashki Jerrahi Sufi Order and the Jerrahi Order of America, with the former reflecting a more "universalistic" orientation, and the latter a more . ''Before that it was the old Bourbon alliance, blue-collar whites and white-collar businessmen. A good part of the Menil Collection comprises objects of African and other tribal art, and the foundation began, in 1961, a long-range research project, ''The Image of the Black in Western Art.'' After Sheikh Nur's passing, she would take on the guidance of the Nur Ashki Jerrahi Sufi Order and it's circles of dervishes around the world. ''When they didn't control things, they stepped aside,'' says Philippe de Montebello, now director of the Metropolitan Museum of Art, who took the job in Houston after Sweeney. Dia initially focused on commissioning works by a select group of contemporary artistsnotably, minimalists and conceptual artists. Georges and Lois de Menil have not lagged behind. And she was surrounded by accomplished relatives. Coordinated by civil rights activist and later U.S. de? (Spookily enough, another dwelling she had built on the same site about 20 years ago met the same end.) ''I'm extreme and I have strong tastes,'' says Christophe, who is also an excellent though unexhibited photographer. They buttressed a budding art history department, established an Institute for the Arts that sponsored exhibitions, lectures and events, and created an ''Art Barn'' for exhibitions. Hickey-Robertson. She is not a ''go-getter,'' she insists in her French-tinged English. But, he says, ''I was fortunate to be exposed to their interest in art as part of the natural fabric of life. Not helpful? Since its 1980 high of 87 1/8 a share, the Schlumberger stock has slipped to its present $30 or so, due in part to the sluggish oil market. For the marriage, Dominique converted to John's Catholicism, a move that at first shocked her clannish family. Fariha Friedrichwhich is the name Philippa de Menil assumed after she and Heiner Friedrich embraced Sufi Islam and married in 1979was talking about the beginning of their foundation. But one family member suggests that the figure ''could easily be twice that amount.'' In 1986, de Menil deepened her involvement in social causes, establishing the Carter-Menil Human Rights Foundation with former president Jimmy Carter to "promote the protection of human rights throughout the world". The artists previously collaborated with the Dia Art Foundation, which was founded by Philippa de Menil (Dominique and John's daughter), to realise their monumental immersive light installation. Schlumberger is still the global leader in well logging, and has expanded over the years into the manufacture of electric and gas meters, transformers, microcircuits, instruments and test systems for aerospace and other industries. Of very ambitious reach. '' to & quot ; a catalyst who makes things happen. 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